<?xml version="1.0" encoding="UTF-8"?>
<XML><RECORDS>
<RECORD>
	<REFERENCE_TYPE>2</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Marchand, R.G.</AUTHOR>
	</AUTHORS>
	<YEAR>2007</YEAR>
	<TITLE>The Impact of the Second Vatican Council on the Concert Mass in the United States</TITLE>
	<SECONDARY_TITLE>Music</SECONDARY_TITLE>
	<PLACE_PUBLISHED>Santa Barbara, CA</PLACE_PUBLISHED>
	<PUBLISHER>University of California, Santa Barbara</PUBLISHER>
	<PAGES>262</PAGES>
	<KEYWORDS>
		<KEYWORD>Lou</KEYWORD>
		<KEYWORD>Harrison,</KEYWORD>
		<KEYWORD>Leonard</KEYWORD>
		<KEYWORD>Bernstein,</KEYWORD>
		<KEYWORD>Paul</KEYWORD>
		<KEYWORD>Creston,</KEYWORD>
		<KEYWORD>masses</KEYWORD>
	</KEYWORDS>
	<ABSTRACT>&lt;span&gt;&lt;span style=&quot;font-size: x-small; font-family: Arial,Helvetica,sans-serif; color: black&quot;&gt;
An examination and discussion of the American concert mass after the
Second Vatican Council.&Acirc;&nbsp; Particular focus on those masses that
addressed issues of genre, or represented the more traditional
Tridentine Mass. Specifically examines masses by Paul Creston, Lou
Harrison and Leonard Bernstein&lt;/span&gt;&lt;/span&gt;
</ABSTRACT>
</RECORD>
</RECORDS></XML>
